AS Opening Sequence

Tuesday 14 December 2010

SCRIPT

SCRIPT
Slug –Internal – Dingy Wharehouse – Late afternoon

Setting of scene: in a dark abandoned warehouse with broken bottle everywhere the place is in a total state, there is know one in the room, but someone has been living here because there’s photos, needles, cigarettes etc on a table. 
Sound: We hear sinister music in the background, simmering gently raising in volume.
Camera Movement: There is a high angled pan from the top of the stairs; we see the back of a girl.
Camera Movement: The pan ends here. We get to a mid shot of her in front of a black door.
Sound: The music is slowly rising.
Camera Movement: There is then an over the shoulder shot of the back of girl and the door.
Camera Movement: There is a close up of the door handle and the girls hand is on it.
Camera movement: A mid shot of her opening, we then have an extra close up tilt and pan from previous shot. The shot will only reveal a small segment of her face.
Camera Movement:  There is then a long shot the girl walking towards the table. Then the shot moves in to a mid shot.
Camera Movement: There is now a long shot of the table, moving into a mid shot, then we see the next shot of a close up from the girls point of view. (The tile will appear here.)
Camera movement: The actor takes something from the table and we see an over the shoulder shoot of her looking at her next destination the chair. We see a long shot of her and the shot. There is a mid shot her sitting on the chair.
Camera Movement: There is then a close up shot of a bracelet and syringe in her hand. The there is a close up with her bracelet on. Then we see an extreme close up a photo.
Sound: We hear voice over of a mother and daughter when we the picture.
Camera Movement: We see along shot of someone’s are and syringe, then a mid shot of another photo.
Sound: We hear voice over of a mother and daughter when we the picture.
Camera Movement: We see a close up an arm and syringe being inserted. We see another picture burning a close up shot.
Sound: We hear voice over of a mother and daughter when we the picture.
Camera Movement: We see a pan of all the objects on the table, and then we see a pan of the arm and the bracelet, pan ends. Then fade out.

LOCATION RECCE



Location Recce

Location Details
Possible problems
Risks assessments
Our first location is in an underground basement, the space was limited. To get to the secret layer you had to go down a stairwell with minimal space. The place meets are hopes of a dirty grimy room. It was full of chemicals, paint, and other cleaning equipment. The place was damp and had a funny smell. Also it was not a practical place to have a lot of equipment for a long period of time.




Our second location is also in a underground basement the place is slightly bigger than the first, and the good thing is that there are no chemicals within the premises. The place is very dirty. There is still no banister on the stair case. In the room there are lot of pipes on the ceiling and walls. The downfalls are that there are a lot of things on the tables on the floor and cabinets things such as chairs, monitors, and poles.





















The possible problems were their were a lot of chemicals which were open and not in practical areas such as the floor. Also in our film we need to light up a match and most of the chemicals were flammable which means there could be an explosion if we use the place. The stairs was red taped which means there is no banister to walk down to offer support. Also the room has to be accessible to members of the caretaker team.




The possible problems are that there is not going to be enough space to film our film, also there is no banister on the satires which is health and safety, also there is a dance studio above the room so we could get distracted with music and the movement of the dancers.
Since there is no banister we will just have to be more careful when going down the stairs. As for the chemicals we will have to ask some of them to move the chemicals out the way for the day. Also we will have to ask the caretakers if they can pardon us for the day.
This afternoon we were told we can not film in there due to health and safety.






To combat the sound of the dancers we are not going to use barely in sound only a few sound effects. We will just have to be careful going down the stairs and hope knows one has an accident. For space we will move things out the way and stack them properly to create valuable space. This afternoon we gathered news that we will be able to use the basement but we

SHOOTING SCHEDULE



STORY BOARD FIRST DRAFT




STORY BOARD